Hand and the Object

“Here is my hand.  It is either they will do what they said they will do and meet the hand, but if they do not know what they are seeing, for what you see is never what it is, then they are of no power over humanity.”

The power of objects “Hand and Object” series plays on the power of misinformation vs truth relative to governing world bodies and figures in our today’s global humanity.  Between dynamics of key power players of world figures, this series addresses how information is being disseminated to the general public and how the public relates to the information consumed.  The digital performance object series play with these three entities of world power, addressing the idea of their power, and the consequences the current jetstream of misinformation has on the governed peoples. 

Each print is signed, numbered, and dated.

ABOUT THE ARTIST

Olabayo David Olaniyi is an academically and philosophically-imbued artist with one foot in traditional arts and the other in Western know-how. He creates art objects of power based on his unique philosophy “Life is a Performance.” He currently lives and works in the United States of America, bridging four realities – sacred, physical, old, and new – in an artform unique to him. He has a vast skillset of talents, including architectural, interior, and stage design, visual and performance art. His artful thought process makes him a valuable asset to any field or project he embarks on and any community he encounters.

Olabayo received his BFA from the College of Santa Fe in 1993 and his MA/MFA from the University of Iowa in 2002. He has been an artist-in-resident at the National Black Theatre in Harlem and at the University of Michigan, where he developed the artistic philosophy, “Life is a Performance.” He has exhibited, performed and conducted art workshops across the nation, artfully transforming every community he encounters. His art objects are in many prestigious private and public collections, including the New Mexico Governor’s office, the Smithsonian Institute and the University of Iowa Museum of Art.

Olabayo David Olaniyi was born in 1970 in Oshogbo, Nigeria, a city renown worldwide for arts and culture. His parents are two of Africa’s most prominent artists, Chief Prince Twin Seven Seven, the UNESCO 2005 “Artist for Peace,” and Chief Nike Davies Okundaye, renown 4th generation fiber-artist who currently owns and operates the largest art gallery in West Africa, Nike Art Centre located in Lagos, Nigeria. Growing up around a variety of traditionally-skilled artisans, craftspeople, and musicians, Olabayo absorbed and mastered a variety of mediums including woodcarving, beading, fiber art, weaving, drumming and theatre.

Olabayo studies and emphasizes the role objects play in daily performances relative to time and space. His in-depth understanding and unrivaled mastery of material births museum-quality art objects and collectibles employing a dynamic set of talents ranging from metalsmithing, wood/stone carving, painting, bead mosaics and digital art fused with today’s technology.